Resident ArtisTS
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Nancy Oganezov
SHE/HER
NO Design explores the line between functional object and art. Her rugs and soft sculptures draw inspiration from classic Armenian ornamentals reinterpreted in modern ways. Instead of signing her name, she often incorporates the word "no" into the art itself.
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Maggie Butler
SHE/HER
Maggie Butler is a mixed media artist who uses bright color palettes and eye-catching illustrations in her work. Her diverse practice spans murals, printmaking, collage, and graphic design—blending digital and traditional art.
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Charde' Brown
SHE/HER
Charde’ Brown is a self-taught visual artist and teaching artist who creates work shaped by Black womanhood, memory, faith, love, survival, and healing. Her creative practice extends beyond the studio through community-based workshops and trauma-informed programming.
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Matt Wilson
HE/HIM
Matt Wilson is a Chef and Painter who grew with a heavy rotation of MTV, Cartoon Network, rap music and skateboarding. A color blind artist, Matt uses the bold colors he sees as correct in his palette even if they look distorted to the viewer.
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Hailey Tayathy
ANY PRONOUNS RESPECTFULLY
Seattle's Coast Salish drag queen, Hailey Tayathy, is a textile artist and digital illustrator. Tayathy uses their queer Native experiences to inform their work through which they aim to bring healing to Indigenous communities and to reclaim Seattle as an Indigiqueer city.
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Morgan Patten
SHE/HER
Morgan Patten is a painter (b. 1996, Honolulu, HI) living and working in Seattle, Washington. Her work is heavily influenced by the expressionist tradition. Her work has been featured in publications such as N+1 and Dirt Media
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Sasha Tai
SHE/HER
Sasha Tai is a 3rd generation Chinese-American visual artist and painter. Her style focuses on blending the traditional techniques of oil painting and watercolor, featuring natural elements such as water and plant life, usually offering some kind of symbolism.
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Alexis Robinson
SHE/HER
Alexis Robinson is a Seattle based contemporary fine artist and painter specializing in portraiture and landscape. Robinson's work is inextricably tethered to her connection to femininity, rural creative practices, and the ingenuity that runs through farming communities.
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Watson Neith
THEY/THEM
Working primarily in watercolor, ink, and cut paper, Watson Neith explores the artificial boundaries humans build between ourselves and the world. Other recurring themes include imagined cartographies, expression through craft, tributes to marginalia, and the languor of cats.
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Ryan Hill
HE/HIM
Ryan Hill is an oil painter born and raised in the Seattle area, whose area of interest is in plein air painting local scenery, urban and natural. When he received his first oil paint set at age 12 he was transfixed and set out to fulfill his vision through the medium.
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Warren Armando Pope
HE/HIM
Warren Armando Pope is an illustrator, public artist, and architectural designer. He hybridizes techniques informed by architectural drawing exploring themes of otherness, plasticity, and transformation as they relate to multiracial and queer identity in the digital age.
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Liz Allen
SHE/HER
Liz Allen is an interdisciplinary artist who builds cardboard sculptures, paints with tissue paper, and uses her hands to cut and paste paper collages. She creates to understand the world and the people she meets in her tiny corner of it.
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flatchestedmama
SHE/HER
Amy-Ellen flatchestedmama Trefsger is a conceptual artist with a proclivity for performance, a literalist who loves alliteration, and someone who just can’t help herself from reading self-help books.
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Molly Hensley
SHE/HER
Molly is a digital illustrator, animator, and cartoonist known for bold, stylized graphics and story-driven imagery. Originally from the bayou, she’s fascinated by ghost stories and pop culture and loves bringing the drama of these worlds together in her work.
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Kirk Holland
HE/HIM
Kirk Holland is a designer of digital and analog interactive experiences. He recently obtained his BFA from Cornish College of the Arts, and has worked with Passable, Third Place Technologies, and IgnitionNW (Critical Northwest). He also paints as a form of meditation.
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Mads
THEY/SHE
Mads makes art that allows them to feel human and communicate the parts of life that are filled with their big ass emotions. They paint primarily with oils and make collage-based art, and are currently focusing on telling stories of transition.
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Natalie Woodlock
SHE/HER
Natalie Woodlock is a printmaker based in Seattle. She explores queer subculture and temporality in her work, creating heraldic and commemorative screenprinted portraits of her queer friends. She is currently working on her first book "Tearjerker: Brokeback Mountain."
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Shirley Sing
SHE/HER
Shirley Sing is associated with the post-Mudd Club group while informally studying painting in New York City 1989-2002. Sing formally studied at Pratt Fine Arts Center and drew from the figure at Trapeze model sessions.
NO Design is the creative practice of self-taught fiber artist Nancy Oganezov. Named after her own initials and a tendency to resist sticking to just one style, her work has evolved from painting clothing for boutiques and stage musicians in Los Angeles to making rugs for coffee shops and third spaces in the Pacific Northwest. Working primarily with natural fibers, NO Design explores the line between functional object and art. Her rugs and soft sculptures keep her connected to her Armenian roots, drawing inspiration from classic ornamentals reinterpreted in modern ways. Instead of signing her name, she often incorporates the word "no" into the art itself.
Nancy Oganezov
She/Her ● Parnassus Floor 4
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MAGGIE BUTLER
She/Her ● Parnassus Floor 3
Maggie Butler is a mixed media artist who uses bright color palettes and eye-catching illustrations in her work. Her diverse practice spans murals, printmaking, collage, and graphic design—blending digital and traditional art. She experiments with recycled and found materials to reduce environmental impact and give new life to items that would otherwise be discarded. Maggie creates art that explores our roles in society, concentrating on identity, nostalgia, connection and community.
Her graphic design practice is focused on music, food and beverage, and purpose-driven causes. She’s worked with local and national musicians and performers, as well as brands like The Vera Project, Pure Green, Hidden Valley Ranch, Georgetown Association of Arts & Culture, and Fremont Creative District.
Her work has been exhibited in group shows in both Milwaukee and Seattle, including works shown at Slip Gallery, Common AREA Maintenance, The Vera Project, Push/Pull, and Belltown Art Walk.
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Charde’ Brown is a self-taught visual artist and teaching artist based in Washington State. Working with oil paint, oil pastel, mixed media, and sculpture, she creates work shaped by Black womanhood, memory, faith, love, survival, and healing.
Rooted in lived experience, Brown’s work explores the stories and emotions people often carry beneath the surface. Through expressive portraiture, rich texture, symbolism, and unexpected materials, she creates emotionally layered work that invites reflection, connection, and honest conversation.
Her creative practice extends beyond the studio through community-based workshops and trauma-informed programming, where she uses art as a tool for storytelling, self-expression, and connection.
Whether creating independently or within community, Brown believes art can make space for what is difficult to say, help us see one another more clearly, and remind us that what we have lived through does not define the entirety of who we are.
Charde’ Brown
She/Her ● Parnassus Floor 3
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Matt Wilson
He/Him ● Parnassus Floor 6
Matt Wilson lives and works in Seattle, Washington as a Chef and Painter. He grew with a heavy rotation of MTV, Cartoon Network, rap music and skateboarding. This has led him to an interest of meshing destruction and creativity together in his head to form overlapping perspectives in his two dimensional works. Pulling heavily from these influences, Matt a color blind artist, uses the bold colors he sees as correct in his palette even if they look distorted to the viewer.
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Hailey Tayathy
She/Her ● Parnassus Floor 3
Jordan Remington is a member of the Quileute Tribe and better known as Seattle's Coast Salish drag queen, Hailey Tayathy. They are a textile artist and digital illustrator using Coast Salish and Formline styles. They have attended Hazel Pete Institute and Northwest Native Basketweaver Association gatherings to learn traditional weaving. Tayathy uses their queer Native experiences to inform their work through which they aim to bring healing to Indigenous communities and to reclaim Seattle as an Indigiqueer city.
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Morgan Patten
She/Her ● Parnassus Floor 6
Morgan Patten is a painter (b. 1996, Honolulu, HI) living and working in Seattle, Washington. She graduated from Western Washington University with her BA in 2019 and received her MFA from Brooklyn College CUNY in 2025. Her work is heavily influenced by the expressionist tradition. Her work has been featured in publications such as N+1 and Dirt Media
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Sasha Tai is a 3rd generation Chinese-American visual artist and painter originally from Redmond, WA. She mainly specializes in representational oil portraits and landscapes with imaginative elements. Her style focuses on blending the respective techniques of traditional oil painting and watercolor, being inspired by or reminiscent of the fluidity of natural elements such as water. The portraits usually center around an idea related to a social or emotional concept, making use of the expression of the figure in order to tell a cohesive story. The paintings also almost always include plant life, usually offering some kind of symbolism. Sasha Tai is currently a student at Cornish College of the Arts at Seattle University, working towards a BFA in Art.
Sasha Tai
She/Her ● Parnassus Floor 6
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Alexis Robinson
She/Her ● Parnassus Floor 6
Alexis Robinson is a Seattle based contemporary fine artist and painter specializing in portraiture and landscape. As an east coast transplant, Robinson’s work is grounded in her experience growing up as an eccentric creative in an insular agricultural community at the foothills of the Appalachian mountains. As an only child to a single mother. Robinson's experience was unique in her greater community— outwardly raised within a matriarchal family. Which is observed as an abnormal familial structure in rural American culture, the epicenter being her mother, paternal grandmother, and high school art teacher. Robinson's work is inextricably tethered to her connection to femininity, rural creative practices, and the ingenuity that runs through farming communities. This identity shapes her foundational perspective of self and expression. Her creations explore imagery and landscape shaped by memory, perceptions of family, expressive transformation, outsider inspiration, and her journey beyond rurality. With a keen interest in materiality, Robinson’s work is not defined by a single medium but rather a conglomerate; most often combining oil paint, fiber, wax, and sculpture to achieve her artistic vision on her painterly canvases. This multidisciplinary approach to traditional painting is a further expression of her identity, a practice in resourcefulness which is inspired by the ingenuity and wisdom of rural farming and the independent women that raised her.
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Watson Neith is a Seattle-based writer and artist working primarily in watercolor, ink, and cut paper. Their art explores the artificial boundaries humans build between ourselves and the world. Other recurring themes include imagined cartographies, expression through craft, tributes to marginalia, and the languor of cats.
They/Them ● Parnassus Floor 7
Watson Neith
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Ryan Hill
He/Him ● Parnassus Floor 6
Ryan Hill is an oil painter born and raised in the Seattle area, whose area of interest is in plein air painting local scenery, urban and natural. As a child he took every opportunity to express his creativity, usually with colored pencils or clay. When he received his first oil paint set at age 12 he was transfixed and set out to fulfill his vision through the medium.
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Warren Armando Pope
He/Him ● Parnassus Floor 6
Warren Armando Pope (b.1990) is an artist, illustrator, public artist, and architectural designer based in Seattle, WA. As an artist, he hybridizes physical and digital techniques informed by architectural drawing exploring themes of otherness, plasticity, and transformation as they relate to multiracial and queer identity in the digital age. He works in a variety of media including paintings, drawings, digital works. Warren has shown work at the Vashon Center for the Arts, Museum of Museums, and Northwest African American Museum.
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Liz Allen is an interdisciplinary artist based in Seattle, WA. She builds cardboard sculptures, paints with tissue paper, and uses her hands to cut and paste paper collages. Her practice began as a mindful way to search for joy during a particularly dark time in her life. Now she creates to understand the world and the people she meets in her tiny corner of it. For collaborations, commissions, or just a friendly wave, email her at lallenart@duck.com.
She/Her ● Parnassus Floor 6
Liz Allen
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Amy-Ellen flatchestedmama Trefsger is a conceptual artist with a proclivity for performance, a literalist who loves alliteration, and someone who just can’t help herself from reading self-help books.
She made a Public Declaration of Commitment to Her Creative Self in 2004. In conjunction with that, she legally merged her birth name with her artist moniker. The legal name change provides a daily reminder of her intention and adds an element of play to the bureaucracy of life. She’s been holding on to the moniker like a pair of legwarmers from the 80s, patiently waiting for self-deprecating humor to circle back into style.
She/Her ● Parnassus Floor 3
flatchestedmama
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Molly Hensley
She/Her ● Parnassus Floor 7
Molly is a digital illustrator, animator, and cartoonist known for bold, stylized graphics and story-driven imagery. Originally from the bayou, she’s fascinated by ghost stories and pop culture and loves bringing the drama of these worlds together in her work. She has self-published two comic series, “Brittany the Ghost” and “Gossip Crows.”
In 2025, she was selected to study at the Pictoplasma Character Academy residency in Berlin. She has also taught workshops and spoken about character design at Wesleyan University, Google Video Summit, and Paper Pushers. She is currently developing “Brittany the Ghost” into a children’s comic and hosting and reading at comic events in Seattle.
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Kirk Holland is a designer of digital and analog interactive experiences. He recently obtained his BFA from Cornish College of the Arts, and has worked with Passable, Third Place Technologies, and IgnitionNW (Critical Northwest). He also paints as a form of meditation, and on rare occasions will makes something he likes and puts it up for sale. Kirk is open to freelance design work especially related to branding and identity.
He/Him ● Parnassus Floor 6
Kirk Holland
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Mads
They/She ● Parnassus Floor 6
Mads makes art that allows them to feel human and communicate the parts of life that are filled with their big ass emotions. They are currently focusing on telling stories of transition, as she is going through major life transitions herself, and while it is easy to feel isolated, art can communicate for us and connect us with eachother. They believe transitions are a gift that give us perspective, and that is what they are constantly searching to find.
Mads paints primarily with oils, makes collage based art, and sometimes will pick up a water based medium, but this list is always expanding and in flux thanks to my her adhd ♡
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Natalie Woodlock
She/Her ● Parnassus Floor 4
Natalie Woodlock is a printmaker based in Seattle. She explores queer subculture and temporality in her work, creating heraldic and commemorative screenprinted portraits of her queer friends. This work has been shown in exhibits at SPACE (Portland ME), The Front (New Orleans LA), The Bureau of General Services - Queer Division (NYC NY), The Peninsula School of Arts (Fish Creek WI), and the Seattle Art Fair. Natalie has participated in and been awarded many printmaking fellowships and residencies nationwide, including a Print Fellowship at the Wassaic Project (Wassaic NY), a place in the Graduate Apprenticeship Training Program at The Fabric Workshop and Museum in Philadelphia, and the Larry Sommers Fellowship, awarded through Seattle Print Arts. She has been an artist in residence at Women's Studio Workshop, Shunpike’s downtown Seattle artist in residency program, Jentel, Vashon Island Artist Residency, Anderson Ranch, In Cahoots, and UCROSS, among others. Natalie is currently working on her first artists' book "Tearjerker: Brokeback Mountain", a work that illustrates scenes from Ang Lee's 2005 film that brought viewers to tears at screenings she organized. She is also working towards her first Seattle solo show, Nite Beat, at 4 Culture Gallery in May 2027.
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SHirley Sing
She/Her ● Parnassus Floor 3
Shirley Sing is associated with the post-Mudd Club group while informally studying painting in New York City 1989-2002. Sing formally studied at Pratt Fine Arts Center and drew from the figure at Trapeze model sessions.
"I consider myself a transcendental painter. My art reflects current issues of the time. Interpretations of my paintings are left to the imagination of the viewer."
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